{"id":986,"date":"2026-04-15T09:00:00","date_gmt":"2026-04-15T07:00:00","guid":{"rendered":"https:\/\/filmpolitique.fr\/?p=986"},"modified":"2026-01-23T11:23:39","modified_gmt":"2026-01-23T10:23:39","slug":"orazio-vola","status":"publish","type":"post","link":"https:\/\/filmpolitique.fr\/?p=986","title":{"rendered":"ORAZIO VOLA de Diego Pascal Panarello : la puissance politique du court-m\u00e9trage"},"content":{"rendered":"\n<h3 class=\"wp-block-heading\">Que repr\u00e9sente le court-m\u00e9trage pour vous : un essai, un exercice de style, une forme d\u2019expression \u00e0 part enti\u00e8re ou peut-\u00eatre les trois \u00e0 la fois ?<\/h3>\n\n\n\n<p>Diego Pascal Panarello : Pour moi, le court-m\u00e9trage, tel que je le pratique \u2013 entre amis et sans subventions publiques \u2013 est une merveilleuse forme de libert\u00e9 d\u2019expression. On fait avec ce que l\u2019on a, et \u00e0 partir de tr\u00e8s peu, on peut exprimer \u00e9norm\u00e9ment. <\/p>\n\n\n\n<p>Il a pour moi une fonction th\u00e9rapeutique, comme une alternative \u00e0 l\u2019ennui, mais surtout il repr\u00e9sente la possibilit\u00e9 de semer une petite graine de r\u00e9flexion dans l\u2019esprit de celui ou celle qui le regarde.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Qu\u2019est-ce qui caract\u00e9rise selon vous un bon court-m\u00e9trage politique ?<\/h3>\n\n\n\n<p>Je ne suis pas un expert pour en juger. Je pense qu\u2019un court-m\u00e9trage politique, pour \u00eatre d\u00e9fini comme tel, se caract\u00e9rise autant par l\u2019histoire qu\u2019il raconte que par son processus de production.<br>En g\u00e9n\u00e9ral, il montre un point de vue in\u00e9dit sur les sujets qu\u2019il aborde et offre des pistes pour de nouvelles mani\u00e8res d\u2019agir, applicables concr\u00e8tement dans la vie quotidienne du spectateur.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Aujourd\u2019hui, le FIFP cr\u00e9e\u00a0La Bo\u00eete\u00a0pour proposer au public des courts-m\u00e9trages toute l\u2019ann\u00e9e. Et vous, quelle est votre solution pour relancer l\u2019int\u00e9r\u00eat du public pour cette forme cin\u00e9matographique ?<\/h3>\n\n\n\n<p>On m\u2019a dit que dans les cin\u00e9mas fran\u00e7ais, on projette souvent des courts-m\u00e9trages avant les longs, ce qui malheureusement n\u2019arrive pas en Italie. Une grande plateforme d\u00e9di\u00e9e aux courts-m\u00e9trages pourrait certainement \u00eatre une bonne chose pour dynamiser le march\u00e9, mais comme toutes les plateformes, elle aurait le d\u00e9faut de ne pas \u00eatre une exp\u00e9rience sociale.<\/p>\n\n\n\n<p>Le projet du FIFP avec\u00a0<em>La Bo\u00eete<\/em>\u00a0me semble \u00eatre la meilleure id\u00e9e qui puisse exister. D\u2019autres projets comme celui-ci, diss\u00e9min\u00e9s dans le monde, donneraient un v\u00e9ritable sens au travail de nombreux r\u00e9alisateurs et professionnels du court-m\u00e9trage. Longue vie \u00e0\u00a0<em>La Bo\u00eete<\/em>\u00a0!<\/p>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Que repr\u00e9sente le court-m\u00e9trage pour vous : un essai, un exercice de style, une forme d\u2019expression \u00e0 part enti\u00e8re ou [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":987,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[8],"tags":[],"class_list":["post-986","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-interviews-ecrites"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.5 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>ORAZIO VOLA de Diego Pascal Panarello : la puissance politique du court-m\u00e9trage<\/title>\n<meta name=\"description\" content=\"Le r\u00e9alisateur d&#039;ORAZIO VOLA d\u00e9fend le court-m\u00e9trage politique comme un espace de 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